ROTOR ist eine von Michael Fischer kuratierte Veranstaltungsreihe zu Experiment, Diskurs und Intermedialität ausgehend vom weit gefassten Topos Klang als ephemere, skulpturale Metapher - dessen Repräsentanzen und diskursive Optionen.
Diese Ausgabe von ROTOR präsentiert:
Alexandru Cosarca - poetry performance
MORNING SEANCE- Falling Without Landing
Alexandru Cosarca – poetry performance
Alexandru Cosarca lebt und arbeitet in Wien an den Schnittstellen von bildender Kunst, Performance, Theater und Film Produktionen sowie Sprachkunst. In seinen performativen Arbeiten beschäftigt er sich mit der Funktion von Geschlechterrollen, Transformation und der Kunst des Gastgebens und hinterfragt seine politische Situation als Queer-Ostblock Tänzer. Er ist Gründer von der Performance-Veranstaltungsreihe WERISTdICHTER? und dem queer-feministischen Kunst-Kollektiv ContextCocktail.
Cosarca schloss das Studium der Kontextuellen Malerei an der Akademie der bildenden Künste Wien bei Ashley Hans Scheirl ab. Während seiner Studienzeit absolvierte er einen Lehrgang in Performance Kunst beim Theater-Kollektiv Gods Entertainment. Er war in zahlreichen Produktionen von und mit internationalen Theater- und Performance Kollektiven zu sehen und inszeniert Solo Artshows und Performances u.a. in: Kunsthalle, Wien (2023), Kunsthistorisches Museum, Wien (2022), Mumok, Wien (2021), Drugo More, Rijeka (2021) Mladi Levi, Ljubljana (2021) Künstlerhaus, Wien (2020), Wienwoche (2020)
MORNING SEANCE – Falling without landing
Falling without landing is an audiovisual performance in which the AI technology and human composition confront each other. The visual part of it, produced with the help of an AI tool, is an ever-changing video projection going constantly and endlessly from forms to informal landscapes, from figures to abstract spaces, in ways until nowadays unimaginable. Indeed, an immersive fall without a landing. The audio part must then keep pace with it, merging relentlessly sounds into sounds and settling itself in the interstice of contemporary abstract music and more traditional harmonic structures.
Bernhard Garnicnig (audio) is an artist and researcher working in the interstitial space between institutional forms, cultural industry and artists practices. His dissertation explores the relation between artists and institutions as a site where new conceptualizations of artists practices emerge. He is the founder & former Very Artistic Director of the Palais des Beaux Arts Wien, a historic surface dedicated to the projection of past, present and future alike (est. 2014), the co-founder of the Bregenz Biennale, a cyclical intervention in the continuum of cultural and tourism industries in his hometown (est. 2012) and the co-founder and Director of Supergood, a consulting brand in the ambiguous field between product and performance (est. 2015).
Simone Borghi (video) is originally from Italy and has been living in Vienna for 13 years. He obtained a Master's degree in Philosophy of Art at the University of Pisa and a Bachelor's degree in Acousmatic Music Composition at the Conservatoire Royal de Mons. After the publication of his book on music/sound in the philosophy of Gilles Deleuze in 2008, he became involved in the Viennese art scene. For his music, he works with various modern methods of sound synthesis, creating it rich in timbres, textures and movements.